Welcome to
Ramps on the Moon

A critical movement in the UK theatre sector, striving for a step change in the inclusion and integration of Deaf and disabled individuals

Led by New Wolsey Theatre, Ipswich, Ramps on the Moon brings together a collaborative network of six National Portfolio Organisation theatres including New Wolsey Theatre, Ipswich, Birmingham Repertory Theatre, Theatre Royal Stratford East, Nottingham Playhouse, Leeds Playhouse, Sheffield Theatres and strategic partner Graeae Theatre.

Previous Shows

Our Country’s Good

Showing from 9th Mar to 2nd Jun 2018

A Nottingham Playhouse Theatre Company Production in co-production with Ramps… Continue Reading Our Country’s Good

The Who’s Tommy

Showing from 30th Mar to 1st Jul 2017

A New Wolsey Theatre Ipswich in co-production with Ramps on… Continue Reading The Who’s Tommy

The Government Inspector

Showing from 19th Mar to 25th Jun 2016

Presented by Birmingham Repertory Theatre in association with Ramps On… Continue Reading The Government Inspector

Ramps on the Moon on Twitter

RT @_A4C_: Just landed in Düsseldorf and en route to Oberhausen to spread some #RampsOnTheMoon love. Currently managing a 31 deg shock to t…

18 hours ago

RT @fingersmiths1: Day 1 Integrated Interpreting course done! Fab team of interpreters plenty of questions & suggestions the discussions ar…

3 days ago

RT @DoorsSeparate: A snap of Jamie Beddard @RampsOTM @Ex_Bodies Rebekah Hill @darkhorse_uk and @amycleach in the heat of our @RADA_London f…

3 days ago

RT @uk_theatre: LAST FEW PLACES - Join Daryl Jackson & Jeni Draper on our upcoming Basic Deaf Awareness on Tue 9 July. Learn basic BSL and…

4 days ago

RT @se_flack: Access is a right, not a priveledge. Early doors conversations, budgeting and planning are a necessary part of the developmen…

1 week ago

RT @_A4C_: Mark Cornell speaks about what a difficult experience going to the theatre can be as compared with, eg cinema. Strikes me that t…

1 week ago

RT @_A4C_: Kirsty Sedgeman: theatre etiquette, the ‘audience contract’. Turns out we were trained in this behaviour in the 19th century. Vo…

1 week ago

RT @_A4C_: The ‘philosophy of manners’: wow, a whole new world to explore. Karen Sedgeman talking about ‘reasonable’ & how academics (inclu…

1 week ago

RT @_A4C_: Heading to London for @uk_theatre #TTSymp19 Excited for the whole day, including facilitating a discussion on workplace culture…

1 week ago

RT @edwardjoesteel: What a treat to see Henry V again, I can't stress enough how good this show is. Incredible work from @BWensemble as alw…

1 week ago

RT @crucibletheatre: We're super excited to announce our new lineup of fabulous shows taking the stage throughout 2019 and into 2020! Tick…

1 week ago

RT @jenidraper: I applaud Deaf storylines in mainstream TV dramas but why do they invariably have a line that says ‘unfortunately the BSL i…

1 week ago

RT @RTYDS: Calling directors and theatremakers. Facing barriers in your career? We’re here to support you. Book a 1-2-1 and explore where y…

1 week ago

RT @AmyTrigg: Stayed up last night refreshing my feed waiting for this category to be announced. Went to sleep with a massive smile on my f…

2 weeks ago

RT @graeae: HUGE congrats to @ALISTROKER on her #TonyAwards2019 victory, the first wheelchair user ever to win a Tony 👌 We couldn’t agree…

2 weeks ago

RT @DisArtsInt: The key focus for this artist lab has been Unexpected Bodies in Unexpected Places with a provocation from @AgentBowditch, "…

2 weeks ago

RT @stratfordeast: Our access performances for KING HEDLEY II are this week! BSL - Thu 06 Jun, 7.30pm (@beckford_b) Captioned - Fri 07 Ju…

3 weeks ago

RT @jenidraper: A perfectly timed tweet (thanks @mr38_richardson!) following the @RampsOTM @TechTheatreBSL @CoreProdUk #RehearsalRoomInterp…

3 weeks ago

RT @dipsibar: With @jenidraper @fingersmiths1 helping to deliver rehearsal room interpreting training @ParkTheatre thanks to funding from @…

3 weeks ago

RT @fingersmiths1: Thanks to all the interpreters who joined us Rehearsal Room Interpreting feedback quote ‘found it really helpful wish I’…

3 weeks ago

RT @fingersmiths1: Looking forward to delivering our first @RampsOTM Rehearsal Room Interpreting session today with @dipsibar @CoreProdUK a…

3 weeks ago

RT @brooksvanessa8: Getting ready for this!- fab folk will be foruming in the room from @TheRSC @NationalTheatre @YorkTheatre @salisburypla…

3 weeks ago

RT @johnjtomlinson: Casting for the part of Rosie in #MyMotherSaidINeverShould by Charlotte Keatley, directed by Jeni Draper. •d/Deaf act…

4 weeks ago

RT @_A4C_: So brilliant, @RampsOTM Agent Billy! Well done https://t.co/khYCvJnCx4

1 month ago

RT @graeae: With @disabilityarts, we are delighted to launch our new monthly #Podcast series Disability And... Ep 1: Disability & Represen…

1 month ago

RT @CultureCentral: .@rampsotm consortium partner @BirminghamRep is offering an exciting two-day artist development opportunity for emergin…

1 month ago

RT @_A4C_: I’d share Emilia’s story across @RampsOTM https://t.co/vi7iHsro48

1 month ago

RT @katejlovell: Calling all BSL interpreters! Would you like to attend a free CPD day hosted by @RampsOTM & @fingersmiths1? Offering suppo…

1 month ago

RT @takingflightco: We are running @RWCMD's first ever inclusive summer school, for people who want a #DramaSchool taster but maybe face ba…

1 month ago

RT @amadigital: What really matters when it comes to marketing to disabled and D/deaf audiences? @RampsOTM's Michèle Taylor will explore pr…

1 month ago

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