Welcome to
Ramps on the Moon

A critical movement in the UK theatre sector, striving for a step change in the inclusion and integration of Deaf and disabled individuals

Led by New Wolsey Theatre, Ipswich, Ramps on the Moon brings together a collaborative network of six National Portfolio Organisation theatres including New Wolsey Theatre, Ipswich, Birmingham Repertory Theatre, Theatre Royal Stratford East, Nottingham Playhouse, Leeds Playhouse, Sheffield Theatres and strategic partner Graeae Theatre.

Previous Shows

Our Country’s Good

Showing from 9th Mar to 2nd Jun 2018

A Nottingham Playhouse Theatre Company Production in co-production with Ramps… Continue Reading Our Country’s Good

The Who’s Tommy

Showing from 30th Mar to 1st Jul 2017

A New Wolsey Theatre Ipswich in co-production with Ramps on… Continue Reading The Who’s Tommy

The Government Inspector

Showing from 19th Mar to 25th Jun 2016

Presented by Birmingham Repertory Theatre in association with Ramps On… Continue Reading The Government Inspector

Ramps on the Moon on Twitter

RT @TextArtist: Accessibility isn’t just about ramps. Jobs are excluding due to organisational structure rather than ability to do the job.…

2 days ago

RT @kaiteoreilly: Informed, intelligent commentary ⁦@jonathanmeth⁩ #puppetgate Ducks in a Row | Jonathan Meth https://t.co/RUQrrcBQo1

2 days ago

RT @stratfordeast: Here are our access performances for EQUUS. Take a look! BSL Performance - Thu 14 Mar, 7.30pm Captioned Performance - F…

2 days ago

RT @graeae: 'Casting a puppet as an autistic child is a grotesque step backwards' @DrFrancesRyan @guardianopinion on @allinarowplay at @swk…

2 days ago

RT @HENLEYDARREN: "Disability can no longer exist at the bottom of the list of arts’ priorities": Read more in this new @TheStage article f…

3 days ago

RT @krystinanellis: Hey! So, here's what you can do if you're a member of Theatre Twitter all aghast at #PuppetGate and wondering what you…

3 days ago

RT @mogster: Please read the responses to this and recognise what a horrible tweet this was. I hope the theatre community are paying attent…

3 days ago

RT @TheStage: Charlotte Bevan, head of the @NationalTheatre's Creative Diversity Project, is to be recognised with a special @cdgnews award…

1 week ago

RT @BirminghamRep: A big REP shout out to our Ramps on the Moon Directors - BJ Edwards, Sam Holley-Horsman, Lucy Macdonald and Alex Whitely…

1 week ago

RT @disabilityarts: Joe Turnbull curates a video playlist exploring how the Aesthetics of Access have innovated theatre through the work of…

2 weeks ago

RT @_A4C_: Excited to see @NottmPlayhouse production of Our Country’s Good as part of @RampsOTM included in this Aesthetics of Access playl…

2 weeks ago

RT @Charlottetigger: Let’s hope the rest of this industry follow suit! ❤️https://t.co/bFjLBSoumB

2 weeks ago

RT @NottmPlayhouse: On Friday we received the wonderful news that @NottmPlayhouse has won @thestage award for Regional Theatre of the Year.…

2 weeks ago

RT @BBCTwo: "Stop telling me I'm speeding in my wheelchair!" How to talk about disability without being awkward. https://t.co/WLlCMgUa98

2 weeks ago

RT @_A4C_: This is so so brilliant. And yes, we need to see more of this so that we can all stop being so amazed when it happens https://t.…

2 weeks ago

RT @AmyTrigg: Buzzing to be a part of this company! Hopefully more of the industry follow suit 🤞 https://t.co/mvKre1LLZR

2 weeks ago

RT @DoorsSeparate: Playwright Judith Johnson joins the project for the writers master class and will input into the report- she collaborate…

3 weeks ago

RT @RuthHarveyBrum: Huge thanks to @esmeefairbairn & @LeverhulmeTrust for being our principal supporters on this vital & important project,…

3 weeks ago

RT @fingersmiths1: Come join us on Fri March 22nd for some fun Deaf Awareness and basic BSL (not 2nd July) @uk_theatre London #BSL #theatr…

4 weeks ago

RT @TheLadyFuchsia: I am a trained #Theatre #Actor. This week I have applied for 3 auditions asking for #Disabled actors. All 3 got back to…

1 month ago

RT @graeae: Should non-disabled performers should play the parts of disabled characters? Until we have equal access to all roles, we thin…

1 month ago

RT @LynetteLinton: We’re looking for two Associate Directors to join us at the @bushtheatre. https://t.co/ovuTmBlOkH

1 month ago

RT @BenjaminEWilson: I've always loved @BryanCranston as an actor. So it hurts even more to see someone I respect so much crip up. When no…

1 month ago

RT @thesparkarts: FREE #artist event on 24 Jan with @ace_midlands & @AttenboroughAC for artitsts identifying #BAME #PoC D/#deaf and/or #Dis…

1 month ago

RT @bbc5live: Do we need a Me Too style movement for disability? The Chairman of Equality and Human Rights Commission told the Sunday Ti…

1 month ago

RT @spektrix: #TheStage100 with Spektrix celebrates 100 of the theatre industry's most influential figures. Hear from Michael Nabarro, our…

1 month ago

RT @NottmPlayhouse: Really proud to see our Chief Exec @stephsirr & Artistic Director @AdamPenford at no. 48 in #TheStage100 list of theatr…

1 month ago

RT @TheStage: Find out who is included in The Stage 100 2019, with @Spektrix (61-70), including Theatr Clwyd's Tamara Harvey, Ramps on the…

1 month ago

We're delighted that @_A4C_ Michéle Taylor has been named amongst @TheStage Top 100 for 2019 - highlighting the mos… https://t.co/10r8IKHPbD

1 month ago

RT @rockinpaddy: So, tomorrow (& indeed next Sunday) I will be playing Mr Dorrit & the voice of Charles Dickens on yer radiogram. Probabl…

1 month ago

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